Textiles and the Triplett Sisters

As some of you may recall, I’ve been researching whether there is a regional style of chintz applique. (If you want to re-read the previous blogs, here are the links to the first, second, third, and fourth blog.) After more research, I identified 20 quilts in the style, although the whereabouts are not always known. To see these quilts, please check out our Pinterest page at this link. Wherever possible we’ve included documentation about the quilt, but a few quilts in private collections are not included. Because of some written records, we know there are still additional quilts in this style out there. So, if you know about one of these quilts, please send me the information! We also identified more than 10 mixed album quilts which fit into this grouping by both style (chintz applique...

The Wedding Album Quilt Exhibition opening at the Kansas City Regional Quilt Festival (KCRQF) is today June 15, 2023. The 2020 Triplett Sisters Block of the Month pattern was based on the c. 1860 original antique quilt from the Poos Collection and will be on display. This quilt was the cover quilt on the first book about the collection, Red & Green Quilts from the Poos Collection. Also in the exhibit will be six other quilts interpreting or reproducing the original from quilt artists: Kathy Delaney, Darla Hanks, Lin McQuiston, Nancy Paris, Lori Lee Triplett, and Christine Turner. The quilt artists used a variety of applique techniques as well as extra flourishes of hand painting, and embroidery. Additionally, some of the artists altered the colors, the pattern, and the meaning behind the original quilt to make...

I recently attended a lecture given by Barbara Brackman at the MOKA Quilt study group on the links between Kentucky and Missouri quilts. Shortly after, I attended an exhibition curated by Leah Zieber and Arlene Stevens at the Pasadena Museum of History which featured a group of quilts made of fancy goods (silk, satin, and velvet.) It was wonderful to see the actual textiles, to see in person some of the lessons learned from Brackman’s and others’ research. Fancy Goods Quilts can be made in a typical pattern such as log cabin or in a disorganized collection of shapes known as a crazy quilt. Crazy quilts frequently have embroidered details, which some have commented, the quilter went crazy with all the embroidered designs. However, that may not have been the case. Instead, she may have simply...

My sister informed me, “everyone knows what it is when you call it the Bible Block like from Baltimore Album Quilts.” (BTW, if you don’t have a sister or friend to discuss quilts and quilt history, find one. I’ve truly learned so much from our discussions and hopefully my sister has learned some from me too…more than if I only went on hunts that I instigated.) Yes, most people do know what it is when you call it a Bible block, but what if in fact it is an autograph book in the quilt, not a Bible block? A real clue that you might need to explore another answer is when the quilt has more than one “Bible block” contained in it. Or if the known quilt makers have used previous books to represent an autograph...

This past weekend I gave a presentation on these glorious applique quilts to the American Quilt Study Group. Every time I speak on the quilts, I ask for anyone to let me know if they are aware of a quilt that I haven’t talked about or shown. Huge thanks to Lorie Stubbs, Leah Zeiber, Peggy Norris, and Susan Morrison who contacted me with quilt images and information. Each one of these quilts that gets discovered, adds to the body of information and understanding of this particular style. I’d already planned this week’s blog to write on whether there were area styles within this regional style. I’m still collecting data, but I have noticed the red setting strips in the mixed albums seem to be found in the New York area. Peggy Norris wrote to me that...