Textiles and the Triplett Sisters

The story of indigo has a long history, parts which aren’t always acknowledged. India and Japan have long been acknowledged for their contributions to cultivation and use of indigo. Kay and I tried to shed light on the African contribution to the story of indigo in our book Indigo Quilts from the Poos Collection. If you aren’t familiar with this book, here is a link to learn more. Now it is time to add Peru to the story or perhaps it would be more accurate to say “add it back into” the story of indigo. Archaeologists at the Huaca Prieta ceremonial mound site have uncovered scraps of indigo dyed fabric. These multiple scraps of fabric are believed to be about 6,200 years old and place a new date on indigo used on still intact fabric. Prior...

A couple of times after I’ve given the Early American Military Textiles presentation, I’ve had someone mention to me another potential textile to include. I’m always happy to add to the research and log of textiles. After the blog series, I was contacted by Ragi Marino to see if I was aware of a “soldier’s blanket” at the Texas Civil War Museum.   Ragi re-created the textile as an AQSG Study Quilt. This interesting quilt is another reminder of why quilts made of military textiles are not always recognized as such. Uniforms weren’t standardized, with soldiers wearing what they had. In the War of 1812, well past American infancy, soldiers were still wearing military garb from other countries with updated buttons and insignias.  In the case of this “blanket” the fabrics were from a later version...

Jane A. Blakely was born is Shaftsbury, Vermont on April 8, 1817 to Erastus and Sarah Blakely. In 1844, she married Walter P. Stickle in October 1844, and having no children of her own, the couple later assumed responsibility for three children. Sadly she became bedridden, but to “kill the time” she began to piece the quilt. The quilt features 169 five x five blocks with a border of triangles and a scalloped edge. In one corner it is inked “In War Time. 1863” “Pieces 5602” and stitched in black thread over the ink “Jane A. Stickle.” The initials “SB” cross stitched in the center led to the presumption that is backed by an old linen sheet from her mother Sarah Blakely. The quilt was listed in the highlights of the 1863 Bennington County Agriculture Fair....

I can’t believe it is almost a New Year! I haven’t even finished telling/showing you more of the Houston Quilt Festival. Don’t worry, we’ll get back to that in the next blog. However, I couldn’t wait to tell you about what is coming up for the Triplett Sisters in the New Year 2022. First, there is the new EPP quilt along with Diamante and More Sampler. The directions provide a suggested workflow to help you accomplish the quilt top in 1 year. It is available as a kit or a pattern, so you can choose your own fabrics. (Here’s the link.) I’ll be making another one right along with you, while giving history tidbits and pointers. Since I’ve already made the one with the cream background, I’m choosing a dark background (green or black) this time...

In our continuing tour of the exhibitions at the Houston Quilt Festival, we were surprised to see very few antique quilts. We missed seeing older quilts in all their ancient glory. Fortunately, there was one exhibition entirely of antique quilts called “Pieces of the Past.” One of the quilts was by Anna Williams, which doesn’t seem like a part of the past, since Kay knew her and spent time with her at a friend’s house. (Does that mean you are getting old when you know someone that made a quilt in an antique quilt exhibit???) Anna’s improvisational style was natural to her, but her style was one that many art quilters strive to find for themselves. Another quilt had one of my favorite pillar print birds in it. I’ve written about this fabric before (if you’d...