Lori Lee Triplett, Business Manager for Quilt and Textile Collections, has successfully combined a variety of passions which include research, writing, and performing into the quilt world. As a lecturer and instructor she brings her experience from stage, screen, and radio to make the presentations fun yet educational. She enjoys presenting at loca...l quilt guilds, but also presents at national conferences and has made appearances internationally. More

Medallions: History of Style


The Triplett Sisters’ love medallion quilts, particularly those that use chintz “panels” for the center. So, imagine our excitement when the American Quilt Study Group decided to make medallions the subject of the next quilt study. Yippee! That means that fifty members of the organization will be making medallion quilts. That means a traveling exhibit of medallion quilts will hit the road to spark the creativity of quilters across the nation with these medallion quilts inspired by historical quilts. Immediately after the announcement last fall, ideas began to emerge. Museums and private collections were searched for the best medallion quilt. Which one quilt would inspire a quilter so much that the quilter either wanted to reproduce the antique quilt or create a new quilt based on the antique quilt. Medallion panels were made using fabric created...
Continue reading
  0 Comments
0 Comments

New Year Wishes!


  May the road rise up to meet you, filled with inspiration from your dreams. May the light shine upon your project with your fabric stash un-ending. May your quilts be easy binding, as you create your legacy. May your needles be easy threading, with all your notions at hand reach, as God holds you in the palm of his hand.  
Continue reading
  0 Comments
0 Comments

The 1876 Centennial Quilt Project


This beautiful quilt owned by Barbara Menasian was purchased in Connecticut with no other provenance than what was contained in the quilt “EMC 1876.” The quilt is a medallion style with the “Chips and Whetstone” as the center piece of the sampler. The center block is surrounded by seventy-four different patterns, many which are commonly known. However, the unique arrangement of borders was then separated by a different geometric pieced row. Karen Alexander ran across a photo of the extraordinary quilt in an online history forum. Inspired by the quilt, she secured permission from the owner for a group of quilters from Northwestern Washington to re-create the quilt. Anne Dawson a quilt shop owner and quilt restorer, drafted the intricate patterns to follow the original quilt as closely as possible. Anne then used reproduction fabrics to...
Continue reading
  0 Comments
0 Comments

A Stroll through Provence


In an earlier blog, I mentioned that there was a Chintz exhibition at the Nantes Quilt Show we attended. We write about Chintz quite a bit because we love it, so I thought I would make do with the few shots in the earlier blog post. However, this week we ran onto an amazing array of reproduction fabrics, which reminded me of the fabrics of Provence. So, I decided I wasn’t done with the Nantes Quilt Show. Several people from the Association of Tresors, Patrimoine etoffes of Marseille gave a presentation on the quilts and costumes of the 18th and 19th century Provence. The organization was nice enough to provide an exhibition of the clothing as well as wear authentic clothing. Although I can’t imagine trying to go about daily tasks dressed in these outfits, not...
Continue reading
  0 Comments
0 Comments

Quilts de Légende


The Houston International Quilt Festival has a large hall for of a variety of exhibits each year. This year one of the exhibits displayed reproductions of 19th and early 20th century masterpiece quilts made with reproductions fabrics. The biennial event was sponsored by the France Patchwork nonprofit organization, one of the largest member organizations in the European Quilt Association. With more than 12,500 members, I suspect selecting the 30 quilts for the exhibition was difficult. Each quilt artist selects a quilt which inspired the reproduction. It is a wonderful bonus for the exhibition viewers when the quilter cites the specific inspiration quilt, which allows for additional learning and comparison. It is often difficult for the casual observer to know the antique from the new quilt from photographs, as the reproductions are usually to close to the...
Continue reading
  0 Comments
0 Comments
We use cookies and data collection to improve your experience. By your continued use of this site, you accept such use in accordance with our Terms and Policies. I Understand