Lori Lee Triplett, Business Manager for Quilt and Textile Collections, has successfully combined a variety of passions which include research, writing, and performing into the quilt world. As a lecturer and instructor she brings her experience from stage, screen, and radio to make the presentations fun yet educational. She enjoys presenting at loca...l quilt guilds, but also presents at national conferences and has made appearances internationally. More

Pacific Northwest Quilt & Fiber Arts Museum


Previously the La Conner Quilts museum, the Pacific Northwest Quilt & Fiber Arts Museum, is celebrating twenty years. To go with the new name, they have a new slogan: Imagine. Create. Inspire. Any nonprofit reaching the five year mark is a cause for celebration, let alone twenty years. Congrats to all who had part in making the museum happen and thrive! Besides the museums two other quilts exhibits Pieces of the Past: 20 years of Collecting and Time Flies...20th Anniversary Festival Challenge exhibit,  QTC was honored to be selected to help with the celebration. Pieces of the Prairie one of our traveling exhibitions will be there. This exhibit will give viewers in the Seattle area a firsthand look at some of the quilts from our new book, Pioneer Quilts: Prairie Settlers’ Life in Fabric. It is...
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Chintz, Glorious Chintz!


I come from a theatre background, so it isn’t unusual for lines from plays or songs from musicals to pop in my head. Especially because sometimes the song catches the mood and moment more adequately than I can.  Such was the case when Kay and I went to visit the Chintz Exhibition at Fries Museum in Leeuwarden, Netherlands. A moment when the breath is taken away…then the song begins. In the musical Oliver, the boys have been starving and craving something other than gruel. Thus begins the songs of dreams of food or in this case dreams of chintz.  If you know the tune to Food, Glorious, Food…sing along! Chintz, glorious chintz, Red colors and mustard! While we're in the mood -- Step too close you’ll get busted! Hats, coverlets, and tunics What next is the...
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Embarrassment of Riches: Rijksmuseum


Located in Amsterdam, it isn’t a surprise that the museum is known for the best collection of Dutch art in the world. However, with more than 8,000 artefacts on display in 80 wings...it is almost too much eye candy to be seen in one day. Kay and I were quite determined and mapped out a plan of attack. First we inquired about the textiles on display to be sure we’d included all of those. The attendant couldn’t think of many textiles on display, but dutifully marked a few spots. (We later learned, it wasn’t that they didn’t have wonderful textiles, just in relation to the vastness of the collections, it was a smaller percentage.) Understanding that the textiles might be limited, we began taking photos of art with early examples of clothing. Ten statues at the...
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An Moonen's Treasures


Because Americans have long claimed the quilting tradition, we like to think of it as ours. We sometimes forget that other locations had quilts long before we existed as a country or even as colonies. An Moonen, who has worked in textile conservation or as a curator for museums for almost 50 years is happy to explain that Dutch quilts have been around since the 1200’s.   The author of multiple books on Dutch quilts (author of: A History of Dutch Quilts, Beddelgoet: Netherlands Antique Quilts 1650-1900, etc.) she has spent her life working with and collecting quilts, textiles and samplers. So when we were visiting with her and she gave us a peak at her collection, it was great fun. Another treat in store for us, was an exhibition she was of having of quilts...
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Winterthur: Galleries, Part II


  Although initially our focus was drawn to the amazing quilts in the gallery, the other textiles displayed couldn’t be ignored, especially with an indigo resist taking up a large part of the display. This amazing linen textile was made in Berks County, Pennsylvania approximately 1780 – 1830. Hanging beside the indigo resist was dress fabric from the Coromandal Coast, 1775-1800. The design was created by hand instead of being block printed. The fabric bears the mark on the back of United East India Company. Additional fabrics, including one printed by Bromley Hall in this Banyan held my attention. Needlework on display was also an important contribution to the collections. Both men and women were employed in professional workshops creating amazing clothing and furnishings. A sample of whitework from New York was also included. All of...
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