Textiles and the Triplett Sisters

Lori Lee Triplett, Business Manager for Quilt and Textile Collections, has successfully combined a variety of passions which include research, writing, and performing into the quilt world. As a lecturer and instructor she brings her experience from stage, screen, and radio to make the presentations fun yet educational. She enjoys presenting at local quilt guilds, but also presents at national conferences and has made appearances internationally.

Where’s Waldo, Carmen Sandiego, or the Triplett Sisters?

So if you follow our blog, you might be wondering where in the world we are since March 10. Funny you should ask, we have been to multiple countries in the world teaching, seeing exhibitions, and quilt shows. We’ve also been writing our next book which had a shorter than expected timeline, given that it has three times the number of quilts. However, all of this is now to your benefit, because we’re now going to share what we can through the blog. We went on a “visit” to Jodhpur lands of India, through the “Peacock in the Desert” exhibition in Houston. We went to a private exhibition in Belgium, I’m still waiting to hear what photos I can share. We went to the Pour L’Amour du Fil Quilt Show in Nantes, France and will share...

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Album, Signature or Friendship Quilt…Oh My!

We are continuing to work on our Huguenot Friendship Quilt as our block of the month. It is an amazing quilt that contains many signatures that are either cross-stitched or embroidered into the quilt. If you haven’t seen this quilt yet, please be sure to follow this link and join us in making your own version of the quilt. Last week when showing this quilt in a presentation, I was asked if it was a signature quilt, friendship or album quilt. The term “inscribed quilts” is really the catchall category for a variety of quilts that have multiple names/signatures. (The joy of finding a quilt with the maker’s signature is surpassed by finding a quilt with multiple signatures.) The signatures can be inked or stitched with a signature (cursive) or printed. The names can be stamped,...

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Open Access in the World

Besides exploring all the wonders in the American Museums, I’d be remiss if I failed to mention that many museums of the world have also granted open access. Especially since the Rijksmuseum in Amsterdam, which was one of the first museums to allow access, started in 2011. The curators of the museum made this decision after finding 10,000 low quality scans online for one of the Vermeers in the collection. The Rijksmuseum offers more 208,000 images online at no cost, click here to search their collections. The LACMA, the National Gallery of Arts and the Yale University Gallery followed suit quickly. Since then the J. Paul Getty Museum and the British Library have also opened their collections. To find out if a museum has open access, simply check their website for a logo which shows open...

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LACMA Collections

I was all set to continue the open access discussion with a look at the Los Angeles County Museum of Arts. They have more than 20,000 images available, with hundreds of quilts from 16th century on to the 21st century. The majority of these quilt images are available for free use in either publication quality or presentation quality. However in the middle of my exploration of these quilt images came several revelations. For those who have a bias toward the east coast for quilts, you may be astonished to see the early indigo resist quilt, not only one, but yes a matched set. The quilt originated in Connecticut, but clearly has found a home at LACMA. LACMA houses the Betty Horton Collection from a woman who wanted a comprehensive collection of American and European quilts. In...

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Open Access to Masterpiece Quilts!

About a year ago, The Metropolitan Museum of Art started an “open access” to all of the high-resolution imagery of the over 375,000 public domain works. Previous to this new policy, if I wanted to use an image from the museum, I would need to file a form and usually pay a fee. It made the use of the images difficult for most, impossible for many. This new policy for art appreciators, researchers and in particular quilt or textile lovers is an amazing gift. Textiles are fragile and exposure to light or even moving the textile shortens the life span. Because of the fragility of textiles, most are not on display and research is granted only to a few. However, because of the new access to images, we can all take advantage of seeing textiles and...

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