Textiles and the Triplett Sisters

At the Houston Quilt Festival this year there was a grouping of quilts called Tactile Architecture which had several unique approaches to the theme. It made me ponder the use of architecture in quilts. Certainly, we see the use of buildings in the Baltimore Album Quilts using applique to create the buildings. In fact, it was sometimes the buildings which helped trace the quilt's origins.   The Tristan Quilt, also known as the Guicciardini Quilt is one of the earliest surviving quilts and re-creates scenes from the story of Tristan and Isolde. It tells the tragic story of two doomed lovers through a wholecloth quilt using trapunto to depict scenes from the tale, including a castle. Therefore the presence of architecture can be traced down through quilting history.   The techniques used to create the buildings...

Applique is fabric applied or "laid on" to a background fabric. The technique has been around for centuries and used on clothing, tents, animal blankets and other everyday items. One of the older surviving examples of applique is an Egyptian canopy quilt from 980. B.C. Different cultures developed different uses for applique and in the US the development of a “quilt culture” supported a long history of applique. The applique quilt is usually “designed” as opposed to leftover scraps pieced together randomly. Applique quilts can be made of a repeated block or an album with a variety of different block patterns. An applique quilt may even be used to tell a story with different blocks having symbols or representing a family history. The rise of the Baltimore Album Quilt solidified the art form in the US...

My love of birds is well established. In fact, at a recent professional retreat where several of us were working on the Triplett Sisters Wedding Album Quilt, I discussed making a few changes to make the quilt tell my story better. One of the other pros said, “so are you adding more birds?” The Houston Quilt Festival had lots of birds for my eyes to enjoy.  However, I saw several quilts that even expanded the use of birds in unique ways, such as focusing on a feather. Another focused on the habitat for the birds, a hedgerow.  I loved the different examinations of the wonderful theme of birds. Clearly there are many techniques that can be used to create birds. Also, many ways to explore the presence of birds in the world within your quilt. Are...

Jane A. Blakely was born is Shaftsbury, Vermont on April 8, 1817 to Erastus and Sarah Blakely. In 1844, she married Walter P. Stickle in October 1844, and having no children of her own, the couple later assumed responsibility for three children. Sadly she became bedridden, but to “kill the time” she began to piece the quilt. The quilt features 169 five x five blocks with a border of triangles and a scalloped edge. In one corner it is inked “In War Time. 1863” “Pieces 5602” and stitched in black thread over the ink “Jane A. Stickle.” The initials “SB” cross stitched in the center led to the presumption that is backed by an old linen sheet from her mother Sarah Blakely. The quilt was listed in the highlights of the 1863 Bennington County Agriculture Fair....

In our continuing tour of the exhibitions at the Houston Quilt Festival, we were surprised to see very few antique quilts. We missed seeing older quilts in all their ancient glory. Fortunately, there was one exhibition entirely of antique quilts called “Pieces of the Past.” One of the quilts was by Anna Williams, which doesn’t seem like a part of the past, since Kay knew her and spent time with her at a friend’s house. (Does that mean you are getting old when you know someone that made a quilt in an antique quilt exhibit???) Anna’s improvisational style was natural to her, but her style was one that many art quilters strive to find for themselves. Another quilt had one of my favorite pillar print birds in it. I’ve written about this fabric before (if you’d...