Textiles and the Triplett Sisters

As you may have noticed, my sister Kay and I recently returned from a trip to Greece and some of the islands. We did all of the regular tourist things: seeing the Acropolis/Parthenon, the archeological museum, the Acropolis/Parthenon Museum. We also had to visit folk art museums and history museums to find textiles. As always when visiting a new country, we have much to learn about the textiles of the area. We didn’t expect to find quilts in such a toasty climate, but we were thrilled to see all the different types of handwork…lots of amazing, detailed handwork! Each island and/or tribe had their own traditional costume filled with decoration. I have no idea how many hours of handwork went into making the clothing, sheets or bedding, but it was a joy to see. Greece is...

Curtis was born in 1847 in Montpelier, Vermont. He joined the 104th Regiment New York Infantry as a drummer at the young age of fourteen. He became a career soldier and served in Alaska to maintain the peace during the Gold Rush. No one knows when he was introduced to quilt making, although one theory is that he learned the art from British soldiers while in Alaska. This is presumed to be the first bed cover made by Jewett Washington Curtis (1847-1927) because the diamonds are a larger size than the pieces in the other two bed covers he made. Additionally, the design is not as complex as the later bed covers (the other two follows.) Jewett Curtis kept his masterpiece until before 1925 when it was given to his sister Julia Wilkinson in upstate New York....

While at the recent AQSG Seminar, the Poos Collection added a new acquisition. At this point with the collection as large as it is, there must be a specific reason to add a quilt to the collection. In this case, there were three solid reasons, plus bonuses. First, the quilt had a bird print in it. As I’ve mentioned before, if it has a bird in it, it is likely coming home. This fabric is what is known as a “Portuguese Print” during the 19th century which came to mean a bright furnishing fabric with wide stripes usually floral but alternating with birds or other wonders. Second the quilt had a center medallion known as Trophy of Arms with a tan background, which the Poos Collection didn’t have. The medallion is #3 in the Waldvogel Chintz...

My sister has just completed her version of the Triplett Sisters 1856 Huguenot Friendship Quilt. Since she already has the original antique quilt in her collection, she wanted to make her version completely different, and she decided to add cute applique squirrels into the corners. I love squirrels and can’t help but think of the dog from the movie who is easily distracted by SQUIRREL! It did make me wonder when squirrels first started appearing on quilts. Afterall, I’ve researched the presence of giraffes, (here is the link to that blog article) so why not squirrels? Squirrels have appeared on quilts via applique, embroidery, pieced, printed, hand painted or inked. Pick your technique and you can probably find one. Several crazy quilts have squirrels embroidered into the quilt, but those are late 19th century. So, not...

I’ve been researching Pennsylvania/New Jersey Chintz quilts to see if there is a basis for a regional quilt style theory. (If you’d like to re-read, follow the link to article 1, article 2, article 3). I’ve also been researching the origination of Anne Varley reproduction fabric, one of my favorite Dutch Heritage fabrics in a Quaker Woman's Sewing Suitcase. (Here is the link to check out that article.) So, imagine my surprise, joy, and pleasure in finding one of the original fabrics in a chintz quilt! The style of the chintz quilt fits the regional style I’ve been studying. So, when I found the block with the Anne Varley fabric which was found in a Quaker sewing collection…I was thrilled to learn that the block made by Mary Ann Bond was also a Quaker woman, but...