Textiles and the Triplett Sisters

Lori Lee Triplett, Business Manager for Quilt and Textile Collections, has successfully combined a variety of passions which include research, writing, and performing into the quilt world. As a lecturer and instructor she brings her experience from stage, screen, and radio to make the presentations fun yet educational. She enjoys presenting at local quilt guilds, but also presents at national conferences and has made appearances internationally.

Postcards from Quarantine

I’ve always loved the idea of making quilted postcards to send to fellow quilters, but I always had excuses. It takes too long and I’m behind on my sample quilts…the post office will just tear it up…I already see these ladies regularly so why take the time to make a postcard. Then almost a year into the pandemic, I don’t see my quilting bee regularly because the facility we meet at is closed to strangers. Our guild is meeting via Zoom, the list goes on. I realized; it is the perfect time to send a quilted postcard to bring a little joy to someone’s world. Of course, you could choose to piece, or applique a 4 x 6 block. However, I thought I’d look through some of my pre-printed textiles, that way I could make more...

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Chintz Quilts Regional Design Style?

As I was researching multiple antique Chintz fabrics, I was surprised to see two Chintz quilts that looked alike but were not in the Center Medallion style with lots of negative space. The Center Medallion Style is frequently credited to Charleston/Baltimore Area with Ascah Goodwin Wilkins et al receiving a lot of design credit.  It got me wondering if there was another design style for Chintz Quilts located in Philadelphia, PA and New Jersey. The Ladies of the Third Presbyterian Church created the two quilts that started my thought process. Both used the chintz fabric to create blocks of a consistent size and included a presentation block. Sarah Lawson Flickwir also made hers in Philly in the same style and time frame of 1840-46. The Ladies of the Second Presbyterian Church agreed with the ladies at...

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Animal Print Wild!

As I was auditioning some fabric for a new quilt inspired by a 19th century quilt, I considered some animal print fabric. It made me wonder when pre-printed textiles in animal prints were first used and when did these prints begin appearing in quilts. It was my hope to find research done by a diligent expert to answer my questions. Sigh, no such luck! Society’s fascination with animals in art, can be traced back to cave art. As our early “culture” grew, we used animal skins for clothing, so no pre-printed textiles were needed (or available for that matter!) As the textile industry began, we see birds and animals depicted. Early Palampores show all manners of creatures including birds, mongooses, lions, tigers and…feet. (Yes, one Palampore even features feet, the human animal, because the Palampore was...

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Happy New Year!

Okay, so I may be rushing the announcement of the new year, but really, I think 2020 has been a year most of us would like to forget or at least move forward. However, I don’t want to ignore the holiday season. Happy Hanukkah or Kwanza depending on what you celebrate. Merry Christmas to all, which is what we celebrate. Because Christmas is close to my heart, naturally my thoughts went to red and green quilts, which I’ve featured in the blog! In about a week, we will celebrate the new year with a new Triplett Sisters Block of the Month: Bird in a Lace Cage. If you haven’t already purchased the pattern to join us, please do! We’d love to have you working together with Kay Triplett and Cynthia Collier as our leaders. Here is...

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Mexican Shellflower & Calla Lily Textile

Considered by many to be the most popular chintz for quilt makers in the 1840s, the Mexican Shellflower, Calla Lily and Tulip can be found in many beautiful chintz quilts. This textile was one of the “Famous Fabrics” that we tracked in our book Chintz Quilts from the Poos Collection where we provide a list of the many quilts using the fabric. The Victoria and Albert Museum has the original antique fabric in unused condition. There also appears to be a block printed border fabric that was made in 1824 prior to the larger floral fabric. The larger flower fabric was created in England during 1830s to 1840s, although the specific manufacturer is unknown. The existing textile shows that unlike other medallions of the period, this was not originally designed as a medallion. It has one...

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